FICTION, LIES AND THE THREAT OF MAGA PORN…
1700 by Jeff HessArguably my politics are the furthest left in my family. I think I might have gotten that from my paternal grandmother who was a suffragette. Growing up I always thought of my father as pretty liberal, but even he had his moments. He once took the time to photocopy—and blank out the cartoons in—Playboy’s 1967 interview with New Orleans District Attorney Jim Garrison. He kinda, probably, believed conspiracy theories, but he was also quick to correct me when I repeated the infamous 100 miles per gallon conspiracy theory, telling me that science just didn’t work that way.
My dad also watched a lot of television. I haven’t watched network television for decades, but thanks to DVDs, and now Netflix, I have been able to go back and watch some shows that my dad enjoyed and I have begun to recognize a subtle, or perhaps not so subtle, agenda that makes more sense to me than previously.
As a reader (and writer) of fiction I’m perfectly comfortable with the observation that all fiction revolves around lies informed by a bit of truth. Fiction has always been that way and must continue to be so. Fiction has a power that those in power understand. One of the most important classes I took as an undergraduate was Soviet Literature with Dr. David Williams. The class focused on novels written in the Socialist Realism tradition. The books were good.
Here in the West we tend to not think of our literature in that way, but those works exist here as well. Possibly the greatest proponent of the American genre was Tom Clancy who wrote what I used to call Military Technology Porn, but now I would place in what I’m calling Make America Great Again Porn: entertainment that appeals to the prurient interests of the entertained.
There has been much discussion in the past two years about exactly when was the America that supporters of President Donald John Trump wish to return to. There have been no good answers to that question. There have been no good answers because that time when America was last great exists only in their imagination, an imagination created by the fictional worlds of Tom Clancy, television and movies.
I want to suggest that three shows that my dad enjoyed are ground zero for this dystopian Our Town: 24, (2001-2010); Blue Bloods, (2010-?); and the reboot of Hawaii Five-O (also 2010-present).
What do the shows have in common? Law enforcement professionals cowboys who, in the purported interest of protecting America, don’t just cross lines, they obliterate them. They threaten, beat and torture all in the interest of law and order—there’s a reason that Dick Wolf chose that title—who long to live in the myth of Americas wild west.
They yearn for West World.







