Last evening I wrote about Eve Goldberg’s Streets Of Burma and a general lack of protest music in the the United States. Music has always been seen as a political tool to control by the tyrants and despots whether it was swing music in Germany or Rock ‘n’ Roll in bible-belt America. Myanmar is no different.
From Gulfnews:
The generals who rule Myanmar have spies snooping for subversives in the most unlikely places, such as a small music school in a rented house sandwiched between a Hindu temple and a broomstick factory.
It isn’t a renegade hip-hop crib, or a blue-hazed den of protesting folkies, just a small rehearsal hall of plywood and particle board where children peck away at piano keys and a chorus of university students sings with enough heart to raise the low roof.
What riles the government is that the music school depends on foreign support, especially from a group of Yale University students and other American donors. Some of the generals’ enforcers suspect a dangerous plot.
And we all know the how subversive a group of foreigners like an all-male a capella group from Yale can be.
When the school opened, neighbours told the students they wouldn’t last long. They were still going strong last year, and a few foreign visitors began dropping by, so intelligence agents started showing up.
They reminded the students that Myanmar’s security laws hold them responsible for anything their foreign guests do, and if the outsiders strayed into politics, the locals would go to jail.
Choir director U Moe Naing, 40, explained that the group wanted to be good enough to perform for the public. They were working with foreign musicians and getting some experience by showing their talents to foreign music lovers, he told them.
Naing, a pianist who once studied to be a geologist, didn’t want trouble. So he followed orders. Yet the spies kept the heat on. They got especially pesky in May, when Naing’s choir hosted a concert with an all-male a cappella group from Yale.
Twenty Yale singers were on a three-week tour of Southeast Asia, with a five-day stop in Myanmar, where a Yale graduate had been teaching at the Gitameit school.
Fifteen minutes before the performance, a captain from the Special Branch police came backstage to poke around, while 250 people sat in the audience.
The singers’ butterflies morphed into terror that their show was about to be shut down as an anti-state activity.
“He threatened me, saying, ‘Maybe I’ll come back to take you away,'” Naing said. “I was really afraid.”
He didn’t show up. Fortunately.” And the show did go on, and the spies have kept their distance in recent months.
What are you doing to help the show go on?