The lead item on Future Tense this evening is about hearing, and iPods. According to Ray Hull, college students — and everyone else listening to their personal soundtrack via earbuds or headphones — are doing serious damage to their hearing. Hull tested students on the campus of Wichita State University and what he found is scary.
Hull stopped students walking around campus with earbuds or headphones on and measured the level of sound he found slamming into their ears. He found students with decibel levels of 105, 110 and even 120. To give you an idea of what that means, the Occupational Safety and Health Administration says that after 3.37 minutes of exposure to sound at 120 decibels, permanent hearing loss occurs.
The problem, says Hull, is not that people crank up their iPods and drill their ears. Rather they wear earbuds or headphones constantly and their hearing becomes fatigued. That means that a volume level that sounded just fine in the morning, becomes softened and hard to hear after hours of jamming.
Which prompts you to turn it up, way up.
And Hull is not the only one spreading the word. A quick Googling turned up two others who are concerned: Christine Albertus and Doctor Roland Eavey.
At the end of last year Who guitarist Peter Townsend described his own hearing loss from many years of headphone use.
The point I’m making is that it is not live sound that causes hearing damage.
Earphones do the most damage.
In a studio there are often accidental buzzes, shrieks and poor connections that cause temporary high level sounds. Playing drums with earphones on is probably a form of insanity I think, all those gunshots, so much louder than a real gunshot, but how else can a drummer hear the other musicians?
When I work solo now I often avoid using a drummer, simply to keep the overall sound levels lower. Also, one might have to work for several hours to perfect a studio performance. As the work progresses, the ears shut down and one needs a higher volume.
If you stop to rest your ears (and you need to do so for at least 36 hours to do any good) you lose the current performance. It is a tough call.
I have unwittingly helped to invent and refine a type of music that makes its principal proponents deaf. It takes time, but it happens. This is, I suppose, no worse than being a sports person or dancer who knows they have a limited working span, and their body will suffer.
The rewards are great — money, fame, adulation and a real sense of self-worth and achievement. But music is a calling for life. You can write it when you’re deaf, but you can’t hear it or perform it.
Do we need volume governor’s on iPods?
My Soundtrack: Raising The Sparks by Akron/Family on WOXY.